Our desire to feel not just ownership, but responsibility for the objects around us, will inform how our world is put together and how it looks.

Ecosystems, enclosures, intrepid foxes and expansive vibrations.

When you work with a lot of material, whether it be chopping onions or aluminium, you can go one of two ways.

What if chindōgu, for all its impracticalities, offers up a belief that failure can be good and actually lead to innovation?

“In my view, what’s most important for brands and studios to recognise is that it's not about short-term, reactionary ’trends,’ but getting comfortable with longer-term horizons, scenarios, challenges, and opportunities that lie ahead.”

My camera roll is suddenly full of random pictures. Two wooden formations in front of an old building in Copenhagen that appear both accidental and deliberate at the same time.

“We shouldn’t be without hopes or dreams; so I believe that our built environments and the things we produce physically need to have that optimism.”